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Wednesday, March 4, 2015

Khalil Nova x Zone6Sinister - "Griffit$u Pt. 2

For a moment last week spaced seemed less distant than the final frontier. Humans on the verge of colonizing Mars?

Possibilities are endless. The Shining Being below, however, prefers the thrill of exploring strange new worlds instead.

Anything within twelve planets the Distortion God does not acknowledge. If it does not make Sitchin, it does not make sense. The Novacouncil only never concerns itself with small things anyway, so no resource needest be spared. Furthermore, any actions taken by the chairman merit full attention.
So readers can now take note. A launch date has been set for the next mission. The follow up to the Mishka co-signed 808s of Life set to be released later this month

Until then, mere mortals are left imagining as Nova  is sits with a katana and a vape on his castle rolling astro. Joined by Zone6Sinister, all the staples are present. Cosmic waves provide harmony. Hi-hat triplets lay the foundation for a beat. But the song below is noticeably different. The kosmische style has, after all, become more commonplace than when The Art of Transcendence dropped in 2012. In a nod to recent production trends, perhaps, a piano carries the melody. As soon as the introduction ends, though, the evolution proves much deeper. Without any warning the tempo shifts. Over a quick 2/4 beat from a mysteriously compressed snare drum, the bass oscillates inspiringly. Nova drops sixteen bars over two verses with a flow more polished flow and improved metaphors.

Good things appear to be in the pipeline, but only time will tell.




Notable Mention: Tev'n "My Paramour (draft 1)"

The connection here is decidedly stretched.

Even worse, the only unwritten rule of this section appears to have been broken. Nothing on these pages is holy anymore.

But, for what it's worth, the second selection makes for formidable crying material. Released yesterday, "My Paramour (draft 1)" was released yesterday. Similar to the title above, however, the song does continue to expand upon the style of 2014's Solitude. Drums are sparse but effective. A kick drum that sounds in some what muted provides the main beat. Additional percussion is easy to find, just not in the form of drums. The element of depth would surely make Varese, or even Burial, proud, as the distant sound of sawing provides incidental assistance. Each of the three repeated verses is accompanied by screwed vocals and a single piano key strike the harmony.

But repetition aside, the song is a more than worth checking out.


- J.N.

A Noggle Brain Trust, LLP. website

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