Dj Edyl0x [Paname Beats] - "Um Bez Bai Gaita"

Muscles are overrated.

The author does not consider himself to be an activist. There is, however, one cause that will be endorsed by these pages.

For too long has the idea than strength derives from physical power. To be strong is is to feel strong; nothing more than a matter of perception. Another way to summarize the mantra is look good feel good. After all, strengthism is a lifestyle-philosophy, not a philosophy/lifestyle. Reality in situ is not of the utmost concern.

More than a mere Dj, Edyl0x would serve as a fine spokesperson for the movement. It seems from his profile picture that a razor has not come upon his head. The mane is marvelous; and as such thesong would have to be considered the natural theme.

Titled, "Um Bez Bai Gaita," the track sees the Paname beat-maker return to funana alongside the Kanga Boyz. As the title suggests, the song specializes is the free-reed department. Like Ferro Gaita, the Edyl0x accordion is stronger than seven locks of Samson's hair. Two different snare/kick beats are heard; vocals and a djembe provide syncopation. Likewise, three distinct accordion portions are heard. The track, however, is long, and the producer uses the elements in a plug-and-play, nearly techno approach to keep listeners engaged as the tension breaks over the bridge.

A very good track, if for no other reason than it avoids the grandiose, opting instead for the elegantly variated. Fortunately available for download.



Notable Mention: Puto Babaa [AvP] - "Lhe Dá O Toque X Tá Batiróróróró"

Puto Babaa is the second half of this Medusa equation.

Each hairstyle is unique on its own. Neither Edylox's relaxed curls nor Babaa's flat-top is superior

But the symmetry but be addressed. One producer has the right half of his head died while the other has opted for the left. Together, it must only be assumed, not even brass shackled would be able to contain their power.

Also similar to Edyl0x, the AvP beatmaker keeps the focus CaboVerde. Alas, "Lhe Dá O Toque X Tá Batiróróróró." The tempo is quick - led by a hi-hat/snare and syncopated by some additional drum work - but the technical essence is less melodic; which is only to be expected. After all the track released earlier today is a batuco. Relying heavily on vocal samples, the groove is deeply rooted in the rhythm. While synth is heard, the bass is provides the swing and the core identity for the song.

The effort is formidable, if not surprising, leaving the listener is a blow-out state of mind.


- J.N.

A Noggle Brain Trust, LLP. website