No object can be in two places at any one given time.
The jury rests on the ruling in favor of the Laws of Physics.
Regardless, it seems that one entity is omnipresent. Dj EDÝ, KingFox, , and PutOo Helder seem to be everywhere. Seldom are the days when a track loosely affiliated with Black 'n' Power Beats is not released. An association of breadwinners all their own, the impression is left that the crew simply does not get tired.
And unlike Newton's life work, the concept touted by the song below is bound to find detractors.
Dr. Thomas Szasz - anti-psychiatry intellectual and demon of the spellchecker - was of the belief that their was no such concept as mental illness. While not an academic, PutOo Helder opposes the very notion; and as such, his opinions deserve consideration. On a fast batuco, the BnPB beat-maker claims "É Pá Somos Todos Malucos." The feel is old-school, but short of meriting a lobotomy. Vocal samples are used ad-nauseum - so many in fact a side effect of the song is the false belief of being a prophet. Meanwhile, the frontal lobe is accosted with a tight hi-hat beat and heavy bass drum. Digital drums provide any syncopation not coming from the vocals. Transitions are mainly created by ride cymbal and snare rolls on either either on the end.
Accessible so long as it is remembered: the lunatic is just in our head
Notable Mention: BlvckSkull - "The Dark Temple EP (Preview)"
While the previous track merely conjures vague notions of techno, the second selection in this post confirms the sensation of electronica past.
Coming off the heels of last week's "Praga Stress," Caveira Negra has translated the moniker given it the Tumblr treatments. The stylizations has not slowed the beat-maker down. A energetic return is made with no visible signs of fatigue. Made of of six sounds from a forthcoming EP "The Dark Temple," the sampler begins with breakneck breakbeat. Astonishingly the tempo is maintained. The first cut is dystopian jungle with snare and some sort of compressed cymbal. The sounds evolve through various states of repressed aggression. Only two synths are heard, and the change to a hollow snares and machine gun bass drum triggers recall Death Grips circa N*ggas on the Moon. Even a Dragon Ball Z sample - noticeable, this portion of the Saiyan saga - is used.
No release date was included, but still enough to make anyone fear whatever goes bump in the night.
- J.N.
A Noggle Brain Trust, LLP. website
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