Dj b.boy [TMP] - "Eu Sou Maluco"

Celebration is iminent. The child legend is among us.

As is the case - every three to eight years, as reliable scheduling might have it - the arrival of a young visitor wreaks havoc. The ecosystem itself is sent into a shock. Oceans become warmer. Trade winds. And in worst case scenarios, a storm might ultimately form.  But the destruction wreaked by El Niño has been limited; which is to say that claims adjusters need not rush to the door.

On the other hand, fans of Tia Maria Produções, though, might even tear the club up.

Dj b.boy has been busy this year, and the beginning of March is no exception. The song below is the TMP beat-maker's second release this week. Titled, "Arrastra," the song is delightful and different, not unlike the aforementioned weather pattern: unexpected but not altogether unwelcome. In addition to providing a rare lossy download, b.boy moves away, if but for a moment, from towards slow songs. The melody is kept by a flute, although a xylophone makes a late appearance, while a horn maintains the harmony. But it is the percussion is the center of attention. Some vocal syncopation on even notes appears after in the introduction, then an interlude. At which point b-boy runs the track to great effect. A second set of vocals, presumably the producers are added and later altered for a later section. Shekere provides support as well, but swing portion does not arrive until late in the number.

Despite the author's lukewarm reception, the track is smooth, but the groove is smoother.

Notable Mention: Dj b.boy "Eu Sou Maluco"

While the above track is apt for getting turnt, the slower track below is even more inclined to achieved just that.

Paradoxically, "Eu Sou Maluco," a tarraxo, is slower. Like the aging hollywood population, the mastering could use a touch-up. Nonetheless, I am willing to guarantee, the track below will have a room full of dancers crawling in a before the first drop. Relying on heavy syncopation, a cajon carries the rolling eight notes while big digital drums take on the underlying beat. But b.boy is a bad man and adds some high pitched vocals on even notes while repeating the title. Still, the flow of percussion never ceases until listeners are left battered and asking for more.



In the interest of extra credit, though, a rare third recommendation must be issued. Released last week, "Dope 77," is similar to "Eu Sou Maluco," in that it sees b.boy exploring beyond his comfort styles. But as opposed to the quicker afro-house track above, "Dope 77" is slow. With a more tarraxo flavored beat b.boy creates a kizomba instrumental with a ravishing piano melody; so much so that rather than ramble on, I advise an immediate listen.

- J.N.

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