No ending can ever be denied.
There is nothing more inevitable than a conclusion itself.
If for no other reason, perfect exits are thus worthy of near-mythic status. Despite a 1990's renaissance, "leaving on high-note" pioneers such as George Costanza have been sidelined by history. Findings languish away in the face of contemporary research. Meanwhile, the field trudges on; a fraction of the attention it once received showered upon it. Acting on good advice may just be equally as difficult as requesting it in the first place. Subsequent results have been suboptimal, to say the least. Look no further than high profile retirements for proof. The case-by-case variety is astonishing. It seems no flawless manner; the ultimate escape now impossible. Harry Styles caused a near panic global while Don Francisco undoubtedly deserves a much more gigantic farewell.
But the present selection is more concerned with returning to the workplace rather than walking away.
Specifically, the author is referring to Ediifox (EdyFoOx): the oft forgotten third member of Casa da Mãe, a.k.a. Luso-Favre. The beat-maker's exploits have been covered before, so urther elaboration is unnecessary. For the uninitiated, though, a glossing over only seems polite. After all, EdyfoOx is a very capable producer; name recognition (save for some similar DJ monikers that arisen as of late) and multiple retirements withstanding. It is the latter half, though, that makes the most relevant impact. Despite claiming an end to his music career on more than one occasion, Ediifox has periodically made new and fascinating appearances.
Yet what makes the selection below exciting is two-fold. First, the song titled "Acredita" is not a one-off beat. In addition album-length feature, though a collaboration with fellow CDM beat-maker LiloCox is heard; a first since the original retirement. Of course, the possibility for anachronism is high. What is presented as a new could be a re-release. Notwithstanding, "Acredita" is a mid-tempo afro-house. Not unlike the hi-hat/sanre rhythm, the structure is relatable: two-individual verses in addition to the theme and a collaborative portion. A marimba. alongside acoustic guitar, is the song's melodic centerpiece as sheets of synth rain down the harmony. As a whole, the track is fairly minimal. Bass grooves on the even beats while a maraca and second piece of percussion swing.
Chronology aside, the download is recommended. Even if the song is not patently new, each element of what makes CDM great is on display: melodic/percussive originality, use of structure as a tool, and clean mastering among a long list of strengths.
Notable Mention: Jumping Back Slash - "Sleeping on the Beach"
Problematically with upper-tier release days is decided a suitable second selection.
Excellent songs are notoriously difficult for the author to pair.
Often, if the opportunity presents itself, track with comparative style elements will be shared. Perhaps even a comparison can be made. But, more often than not, a hard-left turn is required. Fortunately, the present allows for a rare combination. The second selection may possess a drastically different, but equal flashes equal quality are shown by Jumping Jack Flash.
As with most of the man's work, a "Gqom romance" tag is afforded. The foundation kick/hi-hat is met by a sleepy bass as the smokey ambiance of an after-hours jazz club is conjured. Initial tones of deep house are more easily grasped than anything remotely kwaito. But as with "Goodnight You Animal," what makes the song below special of the nuances. Consider, for example, that a long, 32-bar beat is favored by the producer. The floorplan now set, the contrasts begin. A two-beat, amorphous vocal sample floats in the background as the 128 BPM kick drums plays off the slower nature of the three harmonic synths. Progress is not rushed. Syncopated, four-to-the-floor claps as well as what sound like an electric guitar push the track further into a climax.
So, in essence, like exists there is no easy formula for what makes any musician "top-tier." Jumping Back Slash, though, paints to the palette of colors in his head which is more than sufficient to keep him among good company.
- J.N.
A Noggle Brain Trust, LLP. website
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