C4 Pedro - "Aperta Só"

Looking back while looking forward: the 21st century is just as much about innovation as it is about returning to root sources.

Sources of energy are no exception. What could once be considered devil's play has evolved well beyond the sphere of boiled water; what would be considered 16th century devil's play is now a miraculous morning ritual. Energy drinks and pre-workout cocktails, all the while are a far stretch from gravity or pressure based extraction methods. Oddly enough, though, it seems that the ideal fuel source for athletic performance is held deep within the recesses of a tree. Maple syrup serves a purpose well beyond pancakes.

But unlike the product that shares his stage name C4 Pedro relies on music alone. What follows is a, slower kizomba track titled "Aperta Só"." Released yesterday, the rhythm is carried mostly by a kick/hi-hat. Ride cymbal is heard on the pre-chorus just before the shaker comes to syncopate during the hooks, on a busy track that sees tom rolls provide the transitions. Conga is used intermittently as well. Over all, though, the song heavy of the treble melody is provided by the squeaky sound of a synth chanting vocals and an second, airy synth provides the harmony Meanwhile, vocals are of the auto-tuned variety as the ad-libs provide the final set of hype.

While not a magic source of energy able to guarantee increased alertness and productivity, the run merits its share of praise.


Notable Mention: Deejay Telio - "Ela Quer"

The second selection, while a carry over from last week, is a much stronger track.

Telio's vocals are still auto-tuned; albeit to a much more discreet degree. It is the beat on "Ela Quer," that makes the track feel as snug as sweat pants. Keys surround the body, heard only in the intro and outro as the mlody is carried by the 8-bit sounding synth while. The beat - tagged as zouk and kizomba - is compose of kick/clap. Digital drums are primarily for transitional purposes. Of greater note, though, is the elements of a favela funk rhythm in the chorus.



- J.N.

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