The release of new Finicox - or another noteworthy artist, as the case may be - is a clear exception. Much like B-Side A-Hole favorite DJ Firmeza, Finicox has an intangible benefit Finicox, just as much as Yudifox is an entryway into major collectives - such as CDM - as well as the larger galaxy of "New Portugal". And not unlike the benefit of preserving a dying language, throwing peripheral figures into the mix allows listeners to develop an ear for commonalities while appreciating distinctions.
Finicox has an independent streak to him, and his work reflects it. Subtly infusing personal influences, Finicox flashes flares unique to the aesthetics of Lisbon. Not earth-shattering, but something as miniscule as the inclusion of cymbals and a propensity for signature changes are certainly appreciated. But "SexyLady GangstaZouk," is not about this. Bass-driven "O Mais Remitente" (linked above) or "Eh Dijza" attempt to polish the genre's song structure and introducing pop elements. "SexyLady GangstaZouk," meanwhile, brings Africa to a pop song (similar to this tune, when replacing pop with dance). The zouk beat - similar to a dembow/dancehall rhythm, but quicker than what would be heard in tarraxinha or cumbia - is possibly to most foreign element to the number. The drop is neither subtle nor unpredictable; the sudden, but not altogether surprising, shift towards trap, however, is an entirely different matter. This song is equal parts refreshing and promising, just not Finicox's best.
- John Noggle
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