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Wednesday, June 3, 2015

DJ Set I can't Ado Much Abou - Skaytah SaKaFet "PRI DIFÉ VOL.2 MIX (JUIN 2015)"

Immovable objects have the authori-tah to stop an immovable force.

Such an action falls well within Judge Newton's jurisdiction.

Living in a realm all its own, the saying that "the best defense is a good offense" thrives far beyond the purview of of mere motion. Warfare, for example, is simply the art of a timely decision making. Not coincidentally, then, a similar refrain is oft repeated during the course of an American football season. Defense, it is said wins championships. Look no further than than Jim Fassel who was able to coach the led the single season sack leader to a Super Bowl. Applicable in medicine  as well - long the pride of Cuban doctors - it can be said that the above cliche has range if nothing else.

That defense can be extended toward the protection of auxiliary cables seems only natural.

Summer has arrived. With it, the year's second season brings with it sociability. Beaches are frequented. Pools are put to good use. Cooking, once again, can be conducted outside; just as Prometheus intended. Alas, the danger cannot be denied. Strangers and a friends are likely to covet music playing privileges.

Fortunately, the DJ set or mix is the entertainment equivalent of a counterattack to any audible aggression.

If for no other reason, a nearly twenty-two minute collection is presented below. What follows is titled, "Pri Dife Session," and comes straight from Paris care of a Skaytah SakaFet; the latter half of which the author presumes is a semi-official title for" One who gets the party going."  At any rate, the set represents the diversity of fraternity, liberty, and equality in three, appropriately enough, distinct parts. The warm-up, for instance, whets listeners' appetites. A succinct dose of Angolan afrohouse and kuduro blares. The beat is neither of average tempo as vocals tracks hype well. In further selecting of numbers such as "African Scream" and "Nao Faz Isso Bela" provide a sense of relatability over a wide audience base. Central to this follow-up of Skaytah's spring set is shift in gears. As soon as bouyon sounds are heard the a French linguistic connection is made. Representing the West Indies are, in part, Sted Killa and Edday to great enjoyment beyond carnival novelty. But most surprising is the final portion. In  the concluding portion a series of batidas are selected so as to further bring together the sounds of a section of the African diaspora brought together by geography and a Romantic speech.

A download of both the first and second volumes are recommended.

 
J.N.

A Noggle Brain Trust, LLP. website

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