DeeJay KarFox [K.Z.A. Crew] - "Bebedera"

These times are marked by digital technology.

Just to clarify, though, the planet has not yet transformed into a James Cameron wet dream. Where the well-being of Tucson is concerned: at this point it is best left to hope. Still, no reason at all exists to call Earth "Computer World." The voluntary act of not responding to any and shouts of "Klaatu bara nikto" is still entirely acceptable. Once again, the robots have not taken over.

Instead, DeeJay KarFox has returned; still far from a much sought after drone.

The title bears a striking resemblance to a fellow K.Z.A. member. Alas, "Bebedera" is a undeniably a KarFox production. And much like possessing the world's largest an onion, the audience is best-off cutting the song half. Appreciate the legion of limpid layers. Naturally, a coincidental, albeit commonly reported side effect, is the uncontrollable flow of tears from one, and in some cases both, eye sockets. Do not be alarmed; this is one of many perfectly acceptable biological responses. Moreover, any and all potential listeners would do well in preparing rations of stamina. The world's largest onion - not unlike a KarFox - takes time to process. But by the end, the guaranteed gratification comes from the process itself

What follows is a semba beat - fast, but not an inordinately speedy hi-hat/snare/scraper. The good DeeJay, however, has labeled "Bebedera" a kuduro; and to his opinion the author must defer. What is of complete certainty, though, is "Bebedera" that is crafted in a techno manner. Beyond the 4/4 kick drum, no ground plan for arranging instruments is provided. KarFox much prefers to interchange samples. Guitar is heard, as it has been heard in a different manner before. Synths, too, make an appearance, although not as noticeable as in other recent K.Z.A. tracks. As has been the case before, peripheral percussive pieces are perpetually present; even if their identity changes. Of greatest note are the four different vocals samples - most of which can be credited to the beat-maker himself - that command the energy of the track.

The bi-sectional track's duration is only three minutes, but the energy drained the audience gives it the appearance of being much longer. Good effort, as per usual.

- John Noggle